Portrait of a Bedouin: Behind A Commission

Hi!!

Hope you’re well. These last few weeks have been somewhat of a storm for me, but I’m embracing the rain. April showers bring May flowers right? I’ve had some amazing opportunities come up and I’m scrambling to get it all done. More details on that in a future post. But for now, I wanted to share with you something I’ve been doing on the side as well.

A lovely client contacted me in March right before my vacation with a desire to commission an original painting from me. She liked my style of work and we agreed to meet in person to discuss her vision. Many commissions begin with a photograph or an idea. This client had come across an old photograph of a Bedouin lady as shown below.

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The photograph really spoke to her. It just so turns out that I, too, have been collecting vintage photographs of the “Old UAE”, particularly of the women. The photos are usually black and white, the women’s faces are always covered in a traditional burka mask revealing only their eyes. It amazes me how emotional I get when I look at these images. To many foreigners, these photos show the mysterious, elusive nature of the Islamic world with veiled women being the main subject. But for me, these photos seem to take me back in time to a people that worked very hard and in the harshest conditions.

Women carrying water jugs on their heads, men fishing and diving for pearls, camels being transported and cared for, bedouin merchants in the city souks. These pictures are nothing short of a “Night at the Museum” movie for me without all of the animation.

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Anyway, it is my task and artist to take these black and white photos and reinvent them with color and modern elements. To breathe life into a time that now ceases to exist. It is magical.

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This is
This is the gold leaf I attached to this piece. I purchased it in the US while on vacation. The leafing was very delicate and inter

For this commission, I worked on a fairly large canvas 24×36″. I worked primarily with acrylics, but I knew I was going to work in some gold leafing as well. This mixed media component adds texture and a reflective quality that could not be achieved with paint alone. The title “Smiling Eyes” comes from my client herself and I think it’s very fitting.

Here is my rendition of the portrait. I emailed progress photos as the painting progressed so I could make any adjustments to the work. Thankfully, after a few emails of updates and feedback,  I’m happy to say my client is pleased and told me “it’s perfect!”. This painting will be set for pick up this week.

 

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“Smiling Eyes” 24×36″ acrylics and gold leaf on canvas

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Thank you for reading. I am currently still open for commissions (both abstracts and figurative) for June. Feel free to contact me at amira.rahim@gmail if you’d like to set up a consultation.

Best,
Amira

www.amirarahim.com

 

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pet portrait commissioned painting by amira rahim

30 in 30: Day 16 “Zoey” Pet Portrait + Process Photos

pet portrait commissioned painting by amira rahim
“Zoey” 16×16″ acrylics on canvas, commission

Hey guys! Today it rained in Abu Dhabi and stormed with hail in other parts. It’s been a gray, cloudy day, and I’m not complaining. I decided to spend my day indoors and get to some of the commissions ahead of me. This is of a sweet dog named Zoey who passed away recently. She was a joy to paint. I loved capturing her coat and sweet nature. I had many photos to choose from, but thought this captured her in a simple, but pretty light.

I decided to capture the process and share it with you, so here it goes:

This was the reference photo. After a few sketches and composition options, I decided the zoomed in crop of her face and collar would be best.
This was the reference photo. After a few sketches and composition options, I decided the zoomed in crop of her face and collar would be best.
After working out the drawing in pencil, I then went over it in black gresso, bringing in the basic shapes and shadows that would define the painting.
After working out the drawing in pencil, I then went over it in black gresso, bringing in the basic shapes and shadows that would define the painting.
Since the owner wanted a fairly realistic rendition of Zoey, I knew I wouldn't be using much color in this piece. So, I decided to tone the canvas in magenta. It makes for a nice graphic effect against black and white, and it is feminine, which can reflect the dog's sex.
Since the owner wanted a fairly realistic rendition of Zoey, I knew I wouldn’t be using much color in this piece. So, I decided to tone the canvas in magenta. It makes for a nice graphic effect against black and white, and it is feminine, which can reflect the dog’s sex. After the first layer dries, it’s time for the fun stuff! Time to paint!
I used Paynes grey, titanium white, raw umber, and indian red for most of the fur and features. I also decided to lift some of the highlighted areas with a little cerulean blue.
I used Paynes grey, titanium white, raw umber, and indian red for most of the fur and features. I also decided to lift some of the highlighted areas with a little cerulean blue.
Propped my iPad up on the easel for most of the painting. As you can see, I painted from the photograph without any editing or fiddling. Just dove right in. I really need to invest in an iPad stand since I use my iPad so much in the studio!
Propped my iPad up on the easel for most of the painting.  I really need to invest in an iPad stand since I use my iPad so much in the studio! After this, I added the whiskers and detail in the collar. I also adjusted the values in some smaller areas.

I’m happy with how well the portrait came out. I don’t typically paint dogs or cats, but some are just adorable and this girl was no exception. The final portrait moved the original owner to tears, so I can say, my job here is done. All on a rainy day’s work!

Have You Ever Commissioned An Artist To Do Work? Here Is How It Works!

Very good read. I do commissions, and accept them kindly. I explain my process here: http://www.amirarahim.com/commissions

Stafford Art Glass

Commissioned artwork.  It sounds so…..serious.  But in truth, commissioning is a means for people to get exactly what they want from an artist, designer, or artisan.  In the case of fine art, a person may have always wanted to have a landscape of a field behind their house painted and they really like the technique of a given artist. They feel certain the artist would NEVER consider such a thing…..but they screw up their courage and send a late-night request….and bingo!  The artist replies the next day and asks what they had in mind!  Or a potter is seen at a craft fair and someone really likes their work but were wondering if instead of vases, could they do the same designs in platters that they could have as wedding gifts?  “Well certainly” comes the reply from the artisan sitting behind his glasses reading the paper.  You should never be…

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