How to be a busy artist and not go crazy…

"Lucky Charms" 20x24" acrylic on canvas View
“Lucky Charms”
20×24″ acrylic on canvas
View

In the midst of the craziness going on these last few weeks, I thought I’d pause for a minute to write about what my world is looking like. It’s the middle of the month, almost the middle of the year, and it’s a Tuesday. That’s hump day for us in Abu Dhabi. So all across the board, I’m in the thick of it.

Assuming you care about my work or that what I do is even remotely interesting to you, I decided to share some thoughts on what it’s like behind the scenes as of late.

I should preface this by saying, this quarter has been one of the busiest terms ever, but not in the way I’m used to. The beginning of the year, I spent January painting 30 29 paintings in 30 days, connecting with a wave of new collectors, and then licking my wounds back in New Jersey with family, recuperating from hours of painting for months (Only to turn around and paint some more while I was there. Clearly, I know how to balance, ha.)

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Since I got back to Abu Dhabi, however, it’s been fast paced with a lot of moving parts all with the hopes of things working out later down the road. I’ve been working harder than ever, but I wouldn’t do it if it wasn’t my passion. And as a result, I have had to take some important steps to maintain the longevity of my career. Namely, getting my work professionally photographed by a reputable art photography company. I also had to get some professional photos of myself taken for some publication possibilities. My website got a big makeover and is still in the development phase.

I’ve also been working closely with a designer who is helping me get a better visual handle on myself as an artist and maker. And last but not least, I’ve been painting up and down for weeks for two special projects (in addition to my growing population of the #amirarahimsafari). I can’t divulge many details as of now, but I can say that it is for pretty high end clients and it is certainly requiring a lot out of me physically and creatively.

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My Abu Dhabi flat is packed with soooo many canvases. Some finished paintings, some works in progress, and some as large as 6 ft” tall waiting for me to make my mark, literally. I think if I were to count how many canvases in total I have stacked up into this space, it would reach 50. It can be daunting, and a lot is at stake, but here’s what I’ve learned along the way that’s surprised me:

  1. Surprisingly, I can actually multi-task projects. I can work across the board on 2-3 different creative endeavors in one day, in the span of a few hours. This really helps with efficiency, or it can help you go mad, depending on how your brain works, ha. But for now, I’m able to flip switches, start paintings, and work on multiple canvases at once without getting confused.
  2. I have NOT neglected myself or my health. I can squeeze in a quick session at the gym a few times a week. Since I prefer to start painting at sunrise, I don’t have to stay up late at night either and throw off my body’s internal clock. This is great, and also means I am keeping anxiety at bay, which is never nice at any time in life.
  3. I do not have to neglect my house and personal life. I can cook a healthy meal and keep up with gist or the illusion of an orderly home. I can also meet with friends for a few hours or enjoy my favorite show on the couch with my guy. I’ve also squeezed in a few reiki energy sessions to keep my chakras in balance and hopefully my spiritual side as well.
  4. I have not hit a creative block and can keep generating ideas as I continue to work. This is huge. Something I’m obviously very grateful for at the moment because, let me just tell you, there’s nothing more frustrating than having to paint and feeling fresh out of inspiration or motivation. This is usually a sign that you need to take a break, and while I am approaching this point, it hasn’t stopped the creative flow.
  5. I can evaluate propositions and determine if it is of benefit to me. Recently, I was faced with the dilemma of selling the rights to artwork I had created to an interested party for the use of their business. There’s a whole load of opinions and articles out there on art licensing and how to navigate the space. Fortunately, I have been doing my own reading on the matter for a while now so wasn’t completely bamboozled when the topic came up. There are still lots of details and terms to hash out, but bottom line, I’m up for the challenge of figuring it out. Even if we agree to part ways at the end, I’m not afraid to at least learn more.
  6. I can take risks in my work and try out new ideas. This has been really fun. I’ve been using new materials and experimenting with different imagery and color palettes to give life to my new body of work. I don’t ever want to get stuck in a routine in my art making. I think the work that really resonates with people is often the piece that I stumbled upon through my own exploratory period and fascination. Maintaining that level of spontaneity in a series is of course, very difficult, but a worth goal in my opinion.

And that’s really all there is to it. I’m juggling a lot, but I can’t complain. I’m busy, but good busy. Stressed, but good stressed if there’s such a thing. Today, I also just launched my new print collection, and hope that people will enjoy these affordable offerings.

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So yes, there’s so much more to being an artist or painter than sitting at the easel and painting. I love reading about other artists’ journeys, so I hope what I shared was an interesting nugget about the daily grind.

Meanwhile, I know things will slow down soon hopefully, right? Ramadan is a month away and I know that will force me to slow down a bit. But I can’t help but daydream about being on an island somewhere under a palm tree sipping coconut water. Any ideas for a quick weekend getaway? 🙂

And how do you recharge when you’re reallllllly busy?

Amira

Portrait of a Bedouin: Behind A Commission

Hi!!

Hope you’re well. These last few weeks have been somewhat of a storm for me, but I’m embracing the rain. April showers bring May flowers right? I’ve had some amazing opportunities come up and I’m scrambling to get it all done. More details on that in a future post. But for now, I wanted to share with you something I’ve been doing on the side as well.

A lovely client contacted me in March right before my vacation with a desire to commission an original painting from me. She liked my style of work and we agreed to meet in person to discuss her vision. Many commissions begin with a photograph or an idea. This client had come across an old photograph of a Bedouin lady as shown below.

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The photograph really spoke to her. It just so turns out that I, too, have been collecting vintage photographs of the “Old UAE”, particularly of the women. The photos are usually black and white, the women’s faces are always covered in a traditional burka mask revealing only their eyes. It amazes me how emotional I get when I look at these images. To many foreigners, these photos show the mysterious, elusive nature of the Islamic world with veiled women being the main subject. But for me, these photos seem to take me back in time to a people that worked very hard and in the harshest conditions.

Women carrying water jugs on their heads, men fishing and diving for pearls, camels being transported and cared for, bedouin merchants in the city souks. These pictures are nothing short of a “Night at the Museum” movie for me without all of the animation.

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Anyway, it is my task and artist to take these black and white photos and reinvent them with color and modern elements. To breathe life into a time that now ceases to exist. It is magical.

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This is
This is the gold leaf I attached to this piece. I purchased it in the US while on vacation. The leafing was very delicate and inter

For this commission, I worked on a fairly large canvas 24×36″. I worked primarily with acrylics, but I knew I was going to work in some gold leafing as well. This mixed media component adds texture and a reflective quality that could not be achieved with paint alone. The title “Smiling Eyes” comes from my client herself and I think it’s very fitting.

Here is my rendition of the portrait. I emailed progress photos as the painting progressed so I could make any adjustments to the work. Thankfully, after a few emails of updates and feedback,  I’m happy to say my client is pleased and told me “it’s perfect!”. This painting will be set for pick up this week.

 

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“Smiling Eyes” 24×36″ acrylics and gold leaf on canvas

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Thank you for reading. I am currently still open for commissions (both abstracts and figurative) for June. Feel free to contact me at amira.rahim@gmail if you’d like to set up a consultation.

Best,
Amira

www.amirarahim.com

 

Facing a Fear: Small Abstracts

Hi there,

I came back to Abu Dhabi last week and so happy to be back. I’ve been busy doing housewife things like organizing closets and picking out duvet sets, etc. Blah blah. But in the process, I’ve developed a newfound respect for being more organized. I have been on this organization rampage and my studio is not exempt! Happy to say it’s almost up to par and ready for me to make some big moves this month.

As with any break, the trouble of starting back up again in the studio can be daunting. So, I decided what better way to ease into the swing of things than by starting small abstract paintings on canvas.

I’m pushing for color these days. Maybe it’s the shuffle & transition of leaving one home for another, the coastal, desert landscape, or just my own form of mood management, but I want to see more bright and saturated color these days. Bright pinks, impossible greens. I want it now but I know it will take weeks maybe to bring it out of me. It’s hard sometimes to go bold. Here is my first attempt. It’s a small abstract (40x40cm), something I struggle with now as I continue to create larger and larger works of art.

Why do I struggle, you may ask? Well, it’s hard to maintain control of an abstract piece when the canvas is so small. It can easily get crowded. I lose sight of focus. The paint takes for ever to dry. Etc. Etc.

This piece was actually prompted to get this done early in the morning. I work up at 4am for suhoor (a pre-dawn meal prior to fasting). And, true to form, I could not get back to sleep in the morning. My mind is far to active or inspired when I first wake up. I was wondering, specifically, if I could use purple as a neutral. Strange thoughts in the AM, I know. But, I was considering the possibility. I know it’s a color and generally, when you think neutrals, you think grays and beiges. But, if it’s one thing I’ve learned over the years is that a color is only as relevant as the color next to it.

Here’s the piece, and here is my progress shots along the way.

I also decided to experiment with some of my new materials, including Krink paints and Posca acrylic markers. The verdict? In love!

I like to first mark the canvas with a few lines. Just making the space less empty. Some like to tone the canvas. This is also helpful, especially for more figurative painting. For abstract pieces, I tend to dive right in, though.
I like to first mark the canvas with a few lines. Just making the space less empty. Some like to tone the canvas. This is also helpful, especially for more figurative painting. For abstract pieces, I tend to dive right in, though.
progress shot_amira rahim
I mixed a few cool colors on my palette and then went in establishing some forms using my favorite flat brush.
See what I mean? It get's busy really fast with the smaller pieces. This will definitely get toned down.
See what I mean? It get’s busy really fast with the smaller pieces. This will definitely get toned down.
I move right in with my new Krink acrylic paint marker. This teal color grabbed me and boy is it beautiful. It has a nice sheen to it and it drips on the canvas just the way I like my paints! It's a keeper.
I move right in with my new Krink acrylic paint marker to mute out some spaces. This teal color grabbed me and boy is it beautiful. It has a nice sheen to it and it drips on the canvas just the way I like my paints! It’s a keeper.
I added a few lines and muted out some spaces. I like the moodiness of the piece. It's not as bright as I would have hoped but..
I added a few lines and muted out some spaces. I like the moodiness of the piece. It’s not as bright as I would have hoped but..
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Here’s a shot of the piece hanging on my newly covered canvas walls. I’m happy with the use of purple in this piece. And I enjoy the sense of control that the bars of paint achieve. I will be creating more pieces like this over the coming weeks. Stay tuned, I’m just warming up!

Thanks for reading. As a note, this is my blog. To visit more of my work, please go to my official website at www.amirarahim.com.

“Winter in March” New Work & Inspiration

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“West Orange” 12×18″ on paper, Available

Sun pouring through the window panes. There’s still mounds of snow on the ground. Determined to remind us of a winter that overstayed its welcome. We’re in between colds and chills while enjoying short spring breaks and infrequent vacation days.

I didn’t intend on painting while I was here. In fact, I deliberately left my paints and papers at home. I did, however, allow myself some brushes tucked away in an open flap of my suitcase. I don’t know why I felt comfort packing them. I tend to overplan and get very anxious about being somewhere and not having an item I left at home or something. Maybe just having them there gave me the security of knowing if the urge to create struck me, I’d be at least half ready.

And it did. Needless to say, I proceeded to go to the art store about a week after touching down. I told myself I was going to stock up some choice art supplies I’d been coveting for months just to take back with me to Abu Dhabi. But, I knew I would be breaking them open the second I got home. And rightfully so.

I wanted a way to document the cold, the heavy snow, the excitement with each sunny day, and the faint possibility of Spring. After bearing the polar opposites in climate in Abu Dhabi, It felt peculiar to me in a way that made me understand that this “home” isn’t really my home anymore. It is more like a resting place, a collection of things and people I love and like and occasionally have the pleasure of being with until I’m back on this magnificent journey that is life. Each time I complete the 14 hour plane ride, I awake to what feels like a parallel universe and I’m in a time portal. It’s transient. And somehow I like it that way. At least for now.

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“Winter in March” is a collection of my musings on paper and canvas board. I remember feeling fear and excitement to paint each day I created. Maybe it was the vulnerability of making work outside of the studio, or the typical feeling of “I think I forgot how to paint” once you take a week or more off. But, whatever it was, I tried to step out of my way as much as possible and let it flow. I experimented with materials and tools that I don’t normally use, like a silicone wedge to create marks in my art, and pan pastel. They are lush and beautiful. I have much to learn.

In this series, I got to experiment with pan pastels, soft pastel sticks, and new substrates.
In this series, I got to experiment with pan pastels, soft pastel sticks, and new substrates.

For my US art lovers, you can purchase any of these pieces and it will ship free domestically for a limited time only. I figured I would offer this freebie since most of my work is created and sold in the UAE. This will make for a nice change.

I will be adding more to this series for as long as I am able in my final two weeks here. Although, I am enjoying the slower days and savoring the very last days of my vacation and time with family. So far it’s been lots of pizza, trips to Whole Foods, and hanging out with my siblings who are pretty much my favorite people.

Be blessed. Love art xx

Amira

http://www.amirarahim.com

Updates from NJ: Latest Veiled Figurative Originals

Hello, hellooo!

I’ve been home now for about 2 weeks and getting pretty cozzied up in my hometown of NJ. Weather’s warming up (yay) and the pizza is better than ever.11008396_464456390375173_954135187563293803_nI recently shared my latest collection of veiled figurative women via my newsletter.

They are ghostly, secretive, anonymous, mysterious, feminine, serene, and beautiful all at once.

And here they are. You can click on each image to take you to my store. Most of them are already gone (love you wonderful art lovers!):

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“The Council” 24×31″ diptych, acrylic on canvas, SOLD
"Red Summer" 16x20" acrylic on canvas, Reserved
“Red Summer” 16×20″ acrylic on canvas, Reserved
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“Bridesmaids” 24×24″ acrylic on canvas
"The Wedding II" 24x24" acrylic on canvas, Available
“The Wedding II” 24×24″ acrylic on canvas, Available

That’s all. It’s important to remember to see the positives in anything. I love being able to interact directly with the people who love and collect my art. Nothing beats that in my opinion. So, I was happy to list them on my website as soon as possible. Several people already expressed interest in these new pieces and were happy when I was finally able to offer them for sale.

In the meantime, I cannot NOT paint for longer than like a week. The creative juices are flowing. So, naturally, I am on my mom’s kitchen table making little abstract paintings on paper and spreading my art gear all over the living room. Bless my family for putting up with me. Thankfully, they are loving the colorful messes popping up and freely offering their art critiques. It’s been fun. (Peek on Instagram @amirarahimart or search #amirainNJpaintings)

More on that later. Life’s good. Don’t stress too much. People are infinitely kind.

Thanks for reading xx

www.amirarahim.com